at the exit from a bar another is about to end. Behind the wheel of one car a love story is beginning. A delicate keyboard sounds, a bank of voices reverbed up to 20, a haunting melody asserts itself and percussion crashes - and all the minor dramas suddenly come into focus. This comes as a revelation, this feeling of connectedness, flowing from the music on the stereo. Figures emerge from the battered urban landscape, picked out as if by a movie camera, their presence suddenly dignified with a significance that normally escapes us. It does not store any personal data.It's night-time and the streets of Dublin don't look quite the same. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category 'Performance'. This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category 'Other. The cookies is used to store the user consent for the cookies in the category 'Necessary'.

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From a Season 1 South Park parody (“It’s cheesy, but lame and eerily soothing at the same time!”), to Steve Coogan singing it in a 2002 episode of I’m Alan Partridge, to Shrek Forever After’s cheeky deployment under Rumpelstiltskin’s call for a mob to bring him Shrek, to the scene in David Fincher’s The Girl With the Dragon Tattoo where Stellan Skarsgård turns on a reel-to-reel tape of it as he begins to torture a bound, mid-asphyxiation Daniel Craig … it’s nearly always called upon for a laugh.” īut after the initial wave of unironic popularity, it mostly stuck-at least in pop culture terms-as a punch line. MTV played the music video on rotation, both the single and video were nominated for Grammys, and the song became a bona fide phenomenon. 1 hit in the U.K., and a few months later it charted in the U.S. (It was the lead single off her proper debut album, Watermark, which dropped a few weeks earlier.) The song became a no. His entrance music? Naturally, that ethereal chorus: “Sail away, sail away, sail away!”Įnya sailed into the culture’s consciousness on October 15, 1988, when “Orinoco Flow” first crested British airwaves. Cut to a full courtroom, and the judge impatiently asking where detective Peralta is … when Jake theatrically bursts into court. Jake (Andy Samberg) and Rosa (Stephanie Beatriz) were awaiting the fateful hearing in a trial for a crime they didn’t commit the outlook was grim, and so, sitting in a parked car about to leave for the courthouse, a gloomy Jake makes a special request: “Just put on anything by Enya.” He corrects himself: “No, not anything-‘Orinoco Flow.’ On repeat.” Then, a witness suddenly appears and offers to testify and save the day. “There I was, minding my own business, catching up on Season 4 of Brooklyn Nine-Nine. Tim Greiving at has written a wonderful essay called “Sail Away: How Enya’s “Orinoco Flow” Went From a Hit to a Punch Line to a Pop Culture Anthem”, celebrating that it is now 30 years since the song’s release.

Orinoco flow